The New York Times
"The best musical of this century"
Hilariously offensive. Brilliantly brilliant.
From £25
From the creators of South Park, Trey Parker and Matt Stone, and the composer of Avenue Q, Robert Lopez, The Book of Mormon is the most outrageous, irreverent and unstoppably funny musical in the West End. It picked up nine Tony Awards on Broadway before arriving in London in 2013 - and it shows no sign of leaving anytime soon.
Two Mormon missionaries are dispatched to Uganda to convert new followers for the Church of the Latter-day Saints. Elder Kevin Price, devout and ambitious, had hoped for Florida. Paired with the hapless, loveable slacker Elder Arnold Cunningham, he finds himself deposited in a remote village terrorised by a brutal warlord. The world, needless to say, has other ideas.
On arrival, the pair are robbed, threatened, and confronted with a village so beaten down by poverty and oppression that even their song to the heavens is one of furious despair. Elder Price grows rapidly disillusioned. Elder Cunningham, however, finds his stride - improvising a fantastical version of Mormonism spliced with Star Wars and science fiction that begins, improbably, to work.
The Book of Mormon treads a brilliantly fine line between the shocking and the warm-hearted. Beneath all the bad taste and the brilliantly offensive jokes lies a surprisingly tender story about faith, community and the human need to believe in something. Ferociously funny and oddly moving, it is one of the great West End entertainments of the modern era.
The Book of Mormon is the ferociously funny, nine-Tony-winning musical that has kept the West End laughing since 2013.
Operating Since 2015
Official West End Tickets
Updated Daily
Secure Ticketing
Operating Since 2015
Official West End Tickets
Updated Daily
Secure Ticketing
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"The best musical of this century"
"Brilliantly rude, surprisingly tender and absolutely unmissable"
"The funniest musical ever to hit the West End"
Blair Gibson
Elder Price
Conner Peirson
Elder Cunningham
Beatrice Penny-Touré
Nabulungi
Colin Burnicle
Elder McKinley
Richard Lloyd-King
Mafala Hatimbi
Ron Remke
Joseph Smith
Edward Baruwa
General
Sam Glen
Standby Elder Cunningham
Charlie Barnard
Ensemble
Char Burnett
Ensemble
Tad Hapaguti
Ensemble
Jed Hoyle
Ensemble
Isaac J. Lewis
Ensemble
George Littell
Ensemble
Shak Mancel James
Ensemble
Jack McNeill
Ensemble
Zachary Miller
Ensemble
Paige Miller
Ensemble
Nyah Nish
Ensemble
Brian O'Muiri
Ensemble
Kirk Patterson
Ensemble
Nic Vani
Ensemble
Dionne Ward-Anderson
Ensemble
Aisha Williams
Ensemble
Sanchia Amber Clarke
Swing
Christopher Copeland
Swing
Joseph Davenport
Swing
Patrick George
Swing
George Grayson
Swing
M-Jae Cleopatra Isaac
Swing
Sean Parkins
Swing
Stephen Rolley
Swing
Ben Tyler
Swing
Trey Parker
Book, Music & Lyrics / Co-Director
Robert Lopez
Book, Music & Lyrics
Matt Stone
Book, Music & Lyrics
Casey Nicholaw
Co-Director
Scott Pask
Scenic Design
Ann Roth
Costume Design
Brian MacDevitt
Lighting Design
Brian Ronan
Sound Design
Stephen Oremus
Music Supervision
Larry Hochman
Co-Orchestrator
Colm O'Regan
Musical Director
Prince of Wales Theatre
31 Coventry Street, London W1D 6AS
Nearest stations
Piccadilly Circus
Piccadilly, Bakerloo
Leicester Square
Northern, Piccadilly
Charing Cross
Northern, Bakerloo, National Rail
Tottenham Court Road
Elizabeth, Northern, Central
It fully earns its age guidance. Expect relentless swearing, blasphemy, sex jokes and gleefully un-PC gags aimed at religion and plenty else besides. It is satire with a genuinely warm heart, which is why it wins so many people over, but anyone easily offended is better off elsewhere.
Not a thing. The show explains its heightened, heavily satirised version of the beliefs as it goes, so no religious background is needed. It is really a story about faith, doubt and friendship dressed up as an outrageous comedy.
No. This is firmly a grown-up night out and is recommended for adults only, so it is not one to bring younger teens to. The humour and language are aimed squarely at an adult audience.
It comes from the creators of South Park and a composer of Avenue Q, and it pairs genuinely shocking jokes with clever, catchy songs and real craft. It swept the board with nine Tony Awards and has kept audiences helpless with laughter in London for over a decade.
It is a modern, comfortable theatre with strong sightlines, so a great time does not depend on premium seats; the centre of the stalls and the front of the circle are the sweet spots. You can compare every price band when you pick your seats above.
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