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Rent

Rent Tickets

No day but today.

From £29

About the show

“No day but today.” Thirty years after it redefined musical theatre, Jonathan Larson’s groundbreaking rock musical Rent bursts back onto the West End in a bold new production. Set in New York’s East Village, Rent follows a year in the lives of a group of young artists and friends chasing love, connection and creativity while living under the shadow of HIV/AIDS - a story of community and defiance measured out, famously, in seasons of love.

This 30th-anniversary staging is directed by Luke Sheppard (& Juliet, Paddington The Musical), with choreography by Tom Jackson Greaves and musical supervision by Bill Sherman. Stranger Things star Gaten Matarazzo leads the company as Mark, the aspiring filmmaker documenting the lives of those around him.

Rent plays a strictly limited season at the Duke of York’s Theatre from 26 September 2026, booking until 13 February 2027. Book your tickets now.

Why it’s worth the watch

Jonathan Larson’s rock musical returns for its 30th anniversary with a screen star at its centre.

  • A landmark score. From Seasons of Love to La Vie Boheme, the rock score reshaped what a musical could sound like.
  • Screen-to-stage draw. Stranger Things’ Gaten Matarazzo leads the company as filmmaker Mark.
  • A creative pedigree. Director Luke Sheppard (& Juliet, Paddington The Musical) reunites a top-tier design team for the anniversary staging.
  • A story that endures. Its portrait of chosen family and life under the shadow of HIV/AIDS still lands three decades on.
  • Operating Since 2015

  • Official West End Tickets

  • Updated Daily

  • Secure Ticketing

Tickets

Choose your seats via our live booking platform. Once payment is completed, you will receive an email confirmation with your booking reference number and eTickets.

Good to know

Running time
2h 30m
Interval
one interval
Age guidance
Recommended for ages 14+
Arrival
30 min before performance

Booking

Tickets from
£29
Opening soon
26 Sept 2026

Before you book

Cancellations
Full refunds for event cancellations
Need help?
Customer services +44 (0)20 3670 8887

Weekly schedule

Confirm dates on the booking page.

Mon
7:30pm
Tue
7:30pm
Wed
7:30pm
Thu
7:30pm
Fri
7:30pm
Sat
7:30pm
Sun
No performances

Cast

Gaten Matarazzo

Mark

Creative team

Jonathan Larson

Book, Music & Lyrics

Luke Sheppard

Director

Tom Jackson Greaves

Choreographer

David Woodhead

Set Designer

Gabriella Slade

Costume Designer

Howard Hudson

Lighting Designer

Paul Gatehouse

Sound Designer

George Reeve

Video Design & Cinematography

Nathan Amzi

Video Design & Cinematography

Jackie Saundercock

Make-up & Hair Designer

Bill Sherman

Musical Supervisor

Katy Richardson

Associate Musical Supervisor & Musical Director

Asha Jennings-Grant

Intimacy Director

Priya Patel Appleby

Associate Director

Joel Trill

Dialect Coach

Pearson Casting

UK Casting

Jim Carnahan

US Casting

Chris Harper Productions

Producer

Sonia Friedman Productions

Producer

Venue

Duke of York's Theatre

St Martin's Lane, London WC2N 4BG

Get directions

Nearest stations

  • Leicester Square

    Northern, Piccadilly

    3 min walk
  • Charing Cross

    Northern, Bakerloo, National Rail

    4 min walk
  • Covent Garden

    Piccadilly

    5 min walk

Frequently asked questions

It follows a year in the lives of a group of young artists and friends in New York's East Village, chasing love and creativity while living under the shadow of HIV and AIDS. Loosely inspired by the opera La Boheme, it is a story of community and defiance, measured out in seasons of love.

No. This bold new staging tells the story clearly, so newcomers are welcome, while longtime fans will be moved to hear the famous score live. Knowing the songs is a bonus rather than a requirement.

Yes. Jonathan Larson wrote it as a rock musical, and the story is carried largely through song, from 'Seasons of Love' to 'La Vie Boheme'. Expect a driving, contemporary score rather than traditional show tunes.

It deals frankly with HIV and AIDS, drug use, sexuality and loss, along with some strong language. It handles all of it with warmth and compassion, but the themes are grown-up and land best with teenagers and adults.

It is bittersweet. There is real heartbreak in it, but its whole message is about living fully in the present and finding joy and connection while you can, so audiences tend to leave uplifted as much as tearful.

It is an intimate Victorian theatre where you feel close to the performers throughout, and the centre of the stalls and the front of the dress circle give the fullest view. You can compare every price band when you pick your seats above.

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