The Guardian
"Gorgeous, thrilling, heavenly musical. Everything about this production is spot on."
The rock opera that changed musical theatre - reborn.
From £112
One of the most electrifying rock operas ever written returns to the West End for the summer. Andrew Lloyd Webber and Tim Rice’s Jesus Christ Superstar arrives at the London Palladium in the Olivier Award-winning Regent’s Park Open Air Theatre production - directed by Tim Sheader, choreographed by Drew McOnie and designed by Tom Scutt - for a strictly limited 11-week season with a 19-piece live orchestra.
Told through the eyes of Judas Iscariot, the show follows the final days of Jesus Christ, questioning faith, fame and betrayal against a soaring score that includes “Gethsemane,” “I Don’t Know How to Love Him” and the title anthem “Superstar.” First staged in Regent’s Park in 2016, this acclaimed staging won the Olivier Award for Best Musical Revival.
Leading the company is Eurovision star Sam Ryder, making his stage debut in the title role, with Olivier-nominated Tyrone Huntley returning as Judas, Desmonda Cathabel as Mary Magdalene and David Thaxton as Pontius Pilate. And in a thrilling twist, five different stars - Jesse Tyler Ferguson, Richard Armitage, Boy George, Layton Williams and Julian Clary - share the showstopping role of King Herod across the run. Book your tickets now.
This Olivier Award-winning production reimagines one of the most electrifying rock operas ever written.
Operating Since 2015
Official West End Tickets
Updated Daily
Secure Ticketing
Operating Since 2015
Official West End Tickets
Updated Daily
Secure Ticketing
Choose your seats via our live booking platform. Once payment is completed, you will receive an email confirmation with your booking reference number and eTickets.
Tap a time to book that performance.
Good to know
Booking
Before you book
"Gorgeous, thrilling, heavenly musical. Everything about this production is spot on."
"Breathtaking. Tim Sheader's triumphant production delivers the full emotional wallop."
"Superstar is back - and this is the production it deserves. Electrifying performances."
Sam Ryder
Jesus Christ
Tyrone Huntley
Judas Iscariot
Desmonda Cathabel
Mary Magdalene
David Thaxton
Pontius Pilate
Jesse Tyler Ferguson
King Herod · 20 Jun - 11 Jul
Richard Armitage
King Herod · 13 Jul - 8 Aug
Boy George
King Herod · 3 - 15 Aug
Layton Williams
King Herod · 17 - 29 Aug
Julian Clary
King Herod · 31 Aug - 5 Sep
Bob Harms
Caiaphas
Matty J
Annas
Billy Nevers
Simon / Alternate Judas
Phil King
Peter
Koko Alexandra
Soul Singer / Ensemble
Sarah Freer
Soul Singer / Ensemble
Cherece Richards
Soul Singer / Ensemble
Jasmine Jules Andrews
Ensemble
Jahlil M Burke
Ensemble
Martha Burton
Ensemble
Marcelo Cervone
Ensemble
Owen Lloyd
Ensemble
Milo McCarthy
Ensemble
Dan Moore
Ensemble
Kyle Richardson
Ensemble
Olivia Saunders
Ensemble
Toyan Thomas-Browne
Ensemble
Lillie-Pearl Wildman
Ensemble
Amy Barker
Swing
Alistair Beattie
Swing
Alexander Kranz
Swing
Andrew Lloyd Webber
Music
Tim Rice
Lyrics
Tim Sheader
Director
Drew McOnie
Choreographer
Tom Scutt
Set & Costume Design
Tom Deering
Musical Supervisor
Lee Curran
Lighting Design
Adam Fisher
Sound Design
Sam Cox & Maria Johal
Wigs, Hair & Make-up
Kate Waters
Fight Director
Grindrod Burton Casting
Casting
London Palladium
8 Argyll Street, London W1F 7TF
Nearest stations
Oxford Circus
Central, Bakerloo, Victoria
Bond Street
Central, Jubilee, Elizabeth
Piccadilly Circus
Piccadilly, Bakerloo
Not at all. Although it follows the final days of Jesus, it is a human, questioning rock opera told from the point of view of Judas, more interested in fame, doubt and betrayal than in preaching. Audiences of all beliefs and none find it powerful.
Yes. It is a rock opera with almost no spoken dialogue, so the story is carried entirely by the music, from 'Gethsemane' and 'I Don't Know How to Love Him' to the title anthem. It runs straight through with no interval.
No. The show tells you all you need, and most of the story is widely familiar anyway. Knowing the outline may add a little resonance, but newcomers follow it easily.
It is recommended for ages ten and up. The music is thrilling, but the subject matter, including betrayal and the crucifixion, is emotionally intense and staged with real power, so it suits older children better than very young ones.
It is the Olivier Award-winning Regent's Park Open Air Theatre staging, directed by Tim Sheader and choreographed by Drew McOnie, brought to the London Palladium with a large live orchestra for a strictly limited season. It is widely regarded as a landmark revival.
The Palladium is a grand, well-designed house with good views across the levels, and the staging fills it, so the centre of the stalls and the front of the circle are the sweet spots. You can compare every price band when you pick your seats above.
Show openings, ticket deals and reviews - straight to your inbox.