The Guardian
"Pure theatre magic - stagecraft that has to be seen to be believed."
Prepare to believe in magic all over again.
From £31
Harry Potter and the Cursed Child is the most awarded play in theatre history, and it has been casting its spell at the Palace Theatre on Shaftesbury Avenue since 2016. Told in two thrilling parts, it picks up nineteen years after the books end and carries the story into the next generation.
Harry is now a father of three and an overworked employee at the Ministry of Magic, still wrestling with a past that refuses to stay buried. His son Albus, meanwhile, struggles under the weight of a family legacy he never asked for. When the two are drawn into a dangerous adventure through time, father and son are forced to confront the truth that the people we love, and the choices we make, can cast the longest shadows. Based on a new story by J.K. Rowling, Jack Thorne and John Tiffany, and written for the stage by Jack Thorne, it is a feat of storytelling and stagecraft in equal measure.
Cursed Child is theatre on a blockbuster scale. Here is why it is unmissable:
Operating Since 2015
Official West End Tickets
Updated Daily
Secure Ticketing
Operating Since 2015
Official West End Tickets
Updated Daily
Secure Ticketing
Choose your seats via our live booking platform. Once payment is completed, you will receive an email confirmation with your booking reference number and eTickets.
Good to know
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Before you book
"Pure theatre magic - stagecraft that has to be seen to be believed."
"A spectacular and emotionally gripping piece of theatre."
"A theatrical event unlike anything else in the West End."
David Ricardo-Pearce
Harry Potter
Claire Lams
Ginny Potter
Joshua Sullivan
Albus Potter
Thomas Aldridge
Ron Weasley
Naana Agyei-Ampadu
Hermione Granger
Tamia-Renée Alexandra
Rose Granger-Weasley
Oliver Boot
Draco Malfoy
Kai Spackman
Scorpius Malfoy
Dewayne Jameson Adams
Ensemble
David Annen
Ensemble
Hollie Beastall
Ensemble
Jacqueline Beaumont
Ensemble
Angeline Bell
Ensemble
Ricardo Castro
Ensemble
Robert Curtis
Ensemble
Laveda Dione
Ensemble
Scarlett Davies
Ensemble
Gabriel Fleary
Ensemble
Jasper Franklin
Ensemble
Cate Hamer
Ensemble
Tim Hibberd
Ensemble
Max Hunter
Ensemble
Emma Louise Jones
Ensemble
Geffen Katz-Kaye
Ensemble
Tabitha Kodesh
Ensemble
Louise Ludgate
Ensemble
David Mara
Ensemble
Sophie Matthew
Ensemble
Olivia Miller
Ensemble
Nathan Muwowo
Ensemble
David Nairne
Ensemble
Laura June Ness
Ensemble
Jack Pennycook
Ensemble
Mariam Pope
Ensemble
Helen Power
Ensemble
Jocelyn Prah
Ensemble
Claire Redcliffe
Ensemble
Martin de los Santos
Ensemble
Zachary Seaton
Ensemble
Adam Slynn
Ensemble
Huxley Syers
Ensemble
Joshua Talbot
Ensemble
Callum Tempest
Ensemble
Alex Tomkins
Ensemble
Jake Tuesley
Ensemble
Aidan Garrett Wilkins
Ensemble
J.K. Rowling
Original Story
Jack Thorne
Original Story & Playwright
John Tiffany
Director
Steven Hoggett
Movement Director
Christine Jones
Set Design
Katrina Lindsay
Costume Design
Imogen Heap
Composer & Arranger
Neil Austin
Lighting Design
Gareth Fry
Sound Design
Jamie Harrison
Illusions & Magic
Martin Lowe
Music Supervision & Arrangements
Palace Theatre
113 Shaftesbury Avenue, London WC2H 8EG
Nearest stations
Leicester Square
Northern, Piccadilly
Tottenham Court Road
Elizabeth, Northern, Central
Covent Garden
Piccadilly
It is one story told in two parts. To follow the whole adventure you need to see both, and you can do that either on the same day, with a matinee and an evening performance, or across two separate evenings. Each part stands as a full-length play in its own right.
It helps to know the basics, who Harry, Ron and Hermione are and how their story ended, because the play picks up nineteen years later with their children. You do not need to reread anything, but complete newcomers will get more from it with a little familiarity.
It is recommended for ages ten and up, and that guidance is worth taking seriously: there are genuinely dark, tense sequences and some frightening magical creatures. Most children of ten and over are thrilled rather than scared, but it is more intense than the family films.
The stage magic is the reason it is the most awarded play in theatre history. Spells, transformations and illusions happen right in front of you with no screen involved, and how they are achieved has kept audiences arguing on the way home for years.
The illusions are designed to be seen from the front, so a central seat with a clear, full view of the stage rewards you most; the stalls and the front of the dress circle are ideal. You can compare every price band when you pick your seats above.
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